I had never heard of Frozen the night I went to see it, appropriately, in a blizzard. I just wanted to try a new ramen restaurant with my lady, and we didn’t want the evening to end. So: tip — you can give Jin Ramen in Harlem a miss; it’s pedestrian. Go to Ippudo or Totto instead. If you’re that far uptown, hit up Tampopo. But as long as you’re in the neighborhood, do visit the AMC Magic Johnson Theater, which is everything a neighborhood movie theater should be.
Anyway, I enjoyed the movie very much; it’s a funny film that overturns tropes like Prince Charming, Love at First Sight, and the Wicked Queen. It ended the only way it really ought to have.
Two things stuck weird with me, though: first, it feels way more like a Broadway musical than a Disney musical. Second, Hans’s reversal comes out of nowhere. It’s kind of a neat trick, and I don’t think it requires foreshadowing, but it’s so contrary to everything he does, that it klunked with me. It’s one thing to play wholesome while crawling towards your sinister goals. It’s another to thwart those goals throughout your journey. Hans is sending mutton stew back to the kitchen and protesting “No thank you, I don’t eat that because as you can plainly see by my clothing, I am a sheep.”
Anyway, that was about that till my buddy Steve told me he had pitched a fan theory to Cracked that Hans was never the true culprit of Frozen. It having recently been approved, he invited to write it with him. I heartily accepted, as that point had stuck out at me so sorely. Also, I don’t think we as a popular culture are talking enough about the fact that Elsa has the power to create sentient life. That’s a really disturbing power for a hero to have.
I gleefully accepted, but didn’t have much to add to his very well-structured points. I noticed a few details, added some one-liners, cut and condensed, and a few rounds of collaboration and a week later we had a complete story. This was a fun one.